“Day-to-Day Monsters”: An Interview with Rhys L’Hermite

For our inaugural challenge, we asked writers to explore the monsters of our own making. Read the winning piece here, and then enjoy this interview with first-place winner Rhys L’Hermite, in which he talks about the process of crafting his poem, “Garry Learnt how to Be a Man Off the Internet.” 

Rebecca Paredes: You wrote this in response to our “Monsters We Made” challenge, which asked writers to examine the “monsters” of our contemporary lives and how they haunt us today. How did you approach crafting this piece in response to the theme—for example, was it written in one sitting, or multiple?

Rhys L’Hermite: The main thing I wanted with this poem was for it to feel like a long, continuous stream of thought—so I did end up writing it all in one sitting. The process was mostly me writing the first things that jumped into my head at each corner, letting the piece form itself in an unfiltered way which I later edited down. I think that automatic process really lent to that feeling of sudden or jarring leaps in ideas that the piece displays. 

I also wanted this poem to be uncomfortably real, where that monster of “Garry” (and, by extension, anyone similar) evokes a feeling of terrible, human familiarity—since I think that’s what really connects to the theme of monsters our society has made. I tackled that by basing the rambling dialogue off a lot of real things I’d seen or heard perpetuated. “Garry” is an amalgamation of all those real comments (and, unfortunately, real people), and I think that worked to reinforce that feeling of him being a tangible, human monster, which this wave of toxic masculinity has created.

RP: One of the many things I appreciate about this poem is that it captures both sides of the equation: the man who is influenced by this endless barrage of toxic perspectives and the woman who receives these messages. How do you feel this piece responds to what it’s like to “be a man” today?

RL: I think, as you touched on, a lot of this poem connects to that seemingly inescapable influence of toxic ideals and how overbearing they become. Speaking from the side of men, I feel it especially responds to the rigidity and hostility of ideas regarding what it is to “be a man” or what a “real” man is—and then how those rigid talking points start to almost contradict and collapse in on themselves. 

The poem tries to point out the fragility of those toxic influences: how easily that self-construction of masculinity crumbles if something challenges it (like a woman displaying strength or independence), becoming almost a comical parody of itself. I feel it also tries to respond to the fact that toxic masculinity is such a scorched-earth path that harms both ends of the equation, but I especially wanted to highlight the perspective or experience of people on the receiving end of that rhetoric. 

It was important to me that this poem wasn’t just about what it is to “be a man,” but also what it’s like to be around those men as the side that gets harmed by those ideals most of all. Lastly, I think the poem really speaks to how much louder all the toxic voices can feel—and how much easier it is to hear them (on both sides)—highlighting just how much more overwhelming they become.

RP: The experience of reading this poem is like scrolling through a social media feed, from the way one line bleeds into another to the way the statements become caricatures of the stereotypes of masculinity (I loved “I wash with only the manliest soap it smells like wood splinters I can’t feel ’em”). How do you want your reader to feel by the end of this piece?

RL: Overwhelmed and exhausted are the first things that come to mind—as if there isn’t even a chance to get a word or breath in against “Garry.” Before you’ve even had a chance to process one thing, the next comment has already started. I wanted the whole experience to feel like a nonsensical rant, where the only person who really gets a chance to talk is “Garry,” who ends up basically just having a conversation with himself in a big wall of text.

I also wanted to try and evoke a sense of frustration following that—the general sort of irritation and annoyance (or downright anger) that comes when dealing with these types of people. I want there to be an overall sense of disgust felt over his comments, but I hope that sparks a type of defiance in the reader! That thought and feeling of resistance—a desire to fight back, get Garry to shut up, and put him in his place! 

Then, more specifically when it comes to men reading this poem, I really wanted to make sure that “Garry” comes out of it looking like a complete idiot, so other men read this and have it pointed out plainly to them that following in similar footsteps would make them look like an idiot too. That—contrary to what the internet might be telling us—those “alpha,” “hyper-masculine” ideals just make you look pretty stupid. Those types of monsters aren’t ones you should be looking up to, and I hope that the experience of reading the poem helps highlight that. 

RP: Is there anything else you’d like to share?

RL: I’d love to take this opportunity to say: don’t stop speaking out against those day-to-day monsters, whoever or whatever they might be. Write angry poems! Spit out a frustrated essay! Scratch stories of rebellion onto a page and make all the monsters out there uncomfortable and unsettled. Don’t let the loudest voices drown out or silence the sensible ones. Writing is a wonderful storm of defiance, and I think in these times it’s a craft needed as much as ever.

I also wanted to just say to any young men who might be at formative moments in their lives right now—just because some voices might be the loudest, or even seemingly the most common around you, doesn’t mean those are the ones to listen to. If something doesn’t feel or sound right, don’t follow it. Be careful about who you’re listening to and be aware of what fuels the words they say. Toxic masculinity can feel suffocating, especially in moments you might try to push against it—but remember that empathy isn’t hideous. Having feelings won’t suddenly “make you gay.” You aren’t “less of a man” if you cry when you’re sad and you approach others with kindness.

The only qualifier for being a man is identifying as a man yourself, so don’t let others try and define who you are with their own rigid beliefs. Above anything, just be kind. Be gentle. Be human.  

Garry Learnt How to Be a Man Off the Internet

Hey there love you look like a fine cut of something I’d like to chew on and spit out for a good time you can’t spit real women swallow the pill for me I don’t like the feel of rubber tires and fast cars down at the track with the boys to have a great time I take up all the time you need you can’t handle what I’ve got I’ve got everything you want my eight inches no nine stacks of cash and a long pipe burst yeah baby I’ll show you how to fix it step aside love let me handle this everyone knows women can’t do a man’s job is to get dirty cause if you’re clean you must  be one of them gay boys I’m no gay boy beta watch your wife while I fuck that bitch weighing me down like a ball and chain her to the bed cause I like it when you’re submissive baby isn’t my problem you take care of it like a good housewife I work all day like a real man long hours long jobs a long time in bed with me baby hard and rough hands manly and dry since I wash with only the manliest soap it smells like wood splinters I can’t feel ‘em I’m a man with calloused heart I don’t feel anything I don’t cry like some sissy baby just sit there and look  pretty let me handle that heavy load in ya’ any hole I like cause I own you think you’re stronger than me fat fucking chance you’re no man you look like a man with those muscles you must  be a man I bet you have a dick but not one like mine it’s a real fat cock sucker you dress like a girl all pretty I don’t think you’re pretty you’re too fucking manly men told me I’m a wolf I’m an alpha I’m on top of you but don’t get it wrong you don’t need to cum it’s your fault for being too dry wall has a hole through it because you’re such a bitch you make me angry you make me fucking crazy about you baby so what do you say do you want to come back to mine?

Feed

The war that morning had been about hair. It was picture day, and Heather wanted the boys to slick their hair back, but they both wanted it shaggy, and they fought so bitterly about it that she found herself close to tears. In the end, the boys won, like always. 

The drop-off line was a poorly functioning intestine, clogged with luxury minivans. Heather bit her nails while the boys bickered in the back about Rocket League. She finally pulled up to the front of the school, and they got out without saying goodbye. 

It began to rain as Heather pulled away. She thought about what she needed to do today. Pick up Leo’s new mouth guard. Buy some Cab Sauv for wine night with Angela. Take the dog to the groomer. But—first. She pulled into the hardware store lot and parked by the dumpsters. She put her knees up against the wheel and took out her phone. She breathed out.  

She started with watchpeopledie.com. She watched a video of a teenager hanging herself on a live stream. Then, a video of a bull rider getting gored. She watched videos of men getting sucked into machines. Surveillance footage of people shot dead during robberies. Eventually, she got tired of the predictability of these videos, the anticlimax of death, and so she moved over to Reddit, where she looked at medical gore. An amputated foot. An infected spinal incision. A woman’s breast, nipple torn off by a dog. She scrolled the endless pulp in a familiar, drugged state, until a degloved hand and a necrotic crotch appeared indistinct from each other. 

She checked the time and realized she’d been here for almost ninety minutes. The rain had stopped. The sun bled through an obscene slit in the clouds.

***

For dinner, she made shakshuka. The boys ate while looking at their phones, notifications jingling like Christmas bells in the cold bright of the kitchen.  

Heather was scraping red from the pan when Scott came home, drunk, and grabbed her vagina from behind. They went to bed, where he fucked her, then passed out, puffing gusts of Scotch-flavored breath from his mouth. She stayed up and watched cartel torture videos until the sun rose. 

***

It was a home game. Heather sat in a lawn chair on the sidelines. Angela sat beside her.

“Is it tomorrow yet?” Angela said. “All I want right now is to be drunk at your house.”

The game was slow. It was raining again, and neither team was scoring. Leo was on offense and Jake was on defense. Both looked bored and frustrated, and Heather dreaded the car ride home, their smugness if they won, their brattish indignance if they lost. 

During the second half, something happened. A blur of pubescent cleated feet and Day-Glo pinnies followed by girlish screaming. Angela and Heather jogged onto the field to find a body, collapsed on the turf. Heather recognized the hair—it was Ethan, a towheaded, likeable boy. He sat upright, crying snottily, clutching his knee. 

“Oh fuck,” said Angela, and that was when Heather saw it. A jagged claw of white bone protruding from Ethan’s kneecap. Exposed flesh. Blood coming in uneven gushes and spurts.  Looking at the mess of bone, Heather felt a sensation in her belly that she both recognized and didn’t. A warm rush. Like her organs were separated from her Self. Somebody was on with 911, and the coach was jamming a water bottle against Ethan’s chattering mouth. Nobody was looking at Heather, so she took a picture. 

***

The following morning, a mom sent out an invite for an emergency Youth Sports Safety meeting. Heather received the notification while watching a video of a man getting curb stomped.

Scott departed for San Diego early that afternoon. He left his personal laptop in his office. It was open to Asian teen porn. 

***

Heather was nearly a bottle of Cab Sauv deep when Angela arrived for wine night. They sat in the living room together and drank and ate almonds. They talked about the mom who brought tequila in a water bottle to PTA meetings. The hot new math teacher. Once Angela was drunk enough, she looked at Heather guiltily. 

“I have something to confess,” she said. “Last year, when Jeff and I separated, I started doing webcam sessions with this…adult actor. He wears a suit and talks to me like I’m his student. He tells me I’m a bad girl and stuff.” 

Heather was so drunk she began to feel that dislocated sensation from yesterday, on the field, organs floating above her head. “I have a worse one,” she said. “When I want to relax, I watch these videos.” 

Angela leaned forward. “Do tell.”

“Wanna see?”

Heather dimmed the lights and mirrored her phone to the TV. She decided to show Angela watchpeopledie.com first. She played an ISIS beheading. A self-immolation. During a dashcam video of a woman getting a tire to the face, Angela stood, hand over her mouth. “Is this real?”

“Yes. That’s real dashcam footage of—” 

“No, I mean. You don’t actually look at this shit?”

“Look at this.” Heather went into her camera roll and pulled up the photo of Ethan’s decimated knee. 

Angela slapped the light back on. “I have to go.”

“Angela—” 

Heather followed Angela out onto the street. “How is this different from your webcam guy?” she shouted. “I’m just unwinding. It makes me feel okay. It’s just videos. It’s just pictures.”

“It’s not just pictures. Ethan’s real.”

“But the picture isn’t him. It’s something else.”

Before Heather could respond, Angela got in her Lexus and drove away. 

Heather went back inside. On the TV, the tire exploded against the woman’s face endlessly. Heather closed her eyes. Behind her lids, a feed unspooled, an endless downpour of gore. Faces, peeled off. Bodies crushed under wheels. Bones exploding out of kneecaps. A video flickered behind her eyelids, then came into focus. It was grainy, but it was real, and it was of her boys, their curly heads split open by machetes.

Aswangs Wear Barong Tagalog

They were not under the bed,
nor crawled on the roofs,
but always attack
the least
and the poor—
like students
who cross rivers,
like workers
who stand for hours
in public buses.

They spread fake news
to hide forms.
They eat dreams
so we won’t question lavishness,
to weaken bodies,
collect taxes,
and promise projects
for the good of the nation,
to whom we pay debts
passed down through generations.

Their children get the best—
doctors, cars, food—
while we eat the salt
we once left on our doors
to protect our families
from their coming.

Yet they came prepared
with a kilo of rice
and two cans of sardines,
consumed on our first night of horror
at school,
praying something has been left.

We’re trembling
in plastic bags
that serve as tents
covering our bodies.
They wait to laugh
and showcase smiles and braces,
wearing the purest Barong Tagalog
we paid in full.

They smell fear
in hospitals
and in tents
where handshakes landed.
They taste tears,
drink the blood
of our loved ones
who died from floods,
collapsed bridges—
to vitalize their bodies
with funds covered in mud.


The Aswang is a creature from Philippine folklore whose diet includes human liver and blood. Its victims are primarily unborn children and sick people. The Aswang can also change its shape.

Barong Tagalog is a light loose long-sleeved man’s shirt, the national dress shirt of the Philippines, that is frequently made of piña, ramie, or similar fiber, often embroidered on the collar and facing, and worn with the tails not tucked in.

“Monsters We Made” Finalists

For our very first challenge, “Monsters We Made,” we asked writers to send us work that responds to what we doomscroll through. These pieces made us pause and consider the forces shaping us, reexamine how we engage with technology and culture, and reflect on how we are both victims of the monsters within our global society and participants in perpetuating them. Congratulations to our inaugural finalists, and keep your eyes peeled for their published pieces at the end of November!

First place

“Garry Learnt How to Be a Man Off the Internet” by Rhys L’Hermite

Second place

“Feed” by Celeste Amidon

Third place

“Aswangs Wear Barong Tagalog” by Tresia Traqueña

“Monsters We Made” Shortlist

Our inaugural challenge brought in so many impactful and resonant pieces, and it was difficult to narrow down the finalists—which is a good problem to have. We want to recognize the following writers for their work, which lingered long after reading and made us reflect on the monsters we have made on an individual, societal, and global level. Please join us in celebrating our shortlist, and stay tuned for the finalists next week!

“Incubator” by Bethany Bruno

“In(Sanity)” by Angela Bista

“Self-Eulogy After America” by Zachariah Claypole White

“You Tell Me It’s Just Weather” by Alicia Cook

“Shootings: The Point of a Gun” by Juanita Cox

“Face of the World” by Adam Makowiecki

“Ruby-throated Hummingbird” by Mark D. Miller

“Repackaged Savior” by Ricardo Moran

“Personification” by Penny Wei